Guide The Nice Guy (The Story of Bat Garrett Book 1)

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Whatever color, it soon bathed us all in its dark shadow, and then it bathed us in darkness itself. A darkness you could literally taste, for it coated our tongues and nostrils and, it seemed to me, rapidly filled the lungs. It was ash. Great news: most of my novels are now available in paperback and available from Amazon!

As people are scrambling to get generators or anything else running, they begin to hear rumors. Nuclear war. What about the President? Is she alive or did she die in the disaster? Mary Orsen discovers that her ability to travel through time was not affected by the EMP. She has the power and the ability to go back in time and prevent the war. Was it the EMP, or had it actually begun before that?

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Mary consults with men who have traveled through time before: Bat Garrett and Garison Fitch. They are old now and can, however, only give advice. If the world is going to be saved, there can only be one TimeKeeper. After having been swallowed by of course a dragon, Burt, Raylynn and Smitty find themselves in Haskell, Texas.

Buildings from the past stand next to buildings from the present day. If test results suggest that the two were related, it would add new evidence to a long-held alternative theory that Garrett shot someone other than the Kid and led a conspiracy to cover up his crime.

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Such skepticism is hardly uncommon. Disputes over major events in the Old West have engaged historians almost since they happened. The debate over Billy the Kid is one of the longest-running. Beyond renewing interest in the Kid saga, the possibility that testing could enlarge Garrett's reputation or destroy it has even caught the fancy of Gov.

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Bill Richardson of New Mexico, who has offered state aid for the investigation and a possible pardon that an earlier New Mexico governor had once promised to the Kid for a murder he committed. If the guy Garrett killed was Billy the Kid, that makes him a hero. If it wasn't, Garrett was a murderer, and we have egg on our face, big time. No matter what the genetic testing may show -- and it might not show much of anything -- it is hard to overstate the prominence of Garrett and the Kid in Western lore, especially here in southeastern New Mexico, where their lives converged during and after the gun battles for financial control of the region that were known as the Lincoln County War.

The Kid's notoriety grew after he and friends on one side of the conflict killed several men in an ambush, including Garrett's predecessor, Sheriff William Brady.


For that, the Kid was hunted down, captured by Garrett, found guilty of murder and taken to the Lincoln jail, where he was placed in shackles to await hanging. He was only Today, the tiny town of Lincoln, population 38, is a memorial to what happened next. More than a dozen buildings, including one that housed the jail, have been preserved as a state monument that attracts as many as 35, visitors a year.

Bonney, escaped after it became apparent that Gov.

Lew Wallace had reneged on a promise to pardon him in exchange for information about other killings in the county war. On April 28, , the Kid managed to get his hands on a gun, kill the two deputies assigned to watch him and leave the area on horseback. But then stories diverge, providing fuel for two major theories of where, when and how the Kid's life ended. The version embraced here and supported by numerous books and Garrett relatives is that the Kid made his way to a friend's ranch in Fort Sumner, about miles northeast of Lincoln. The ranch owner, Pete Maxwell, was also a friend of Garrett's and somehow got word to Garrett that the Kid was in the area.

What I love about this story is its literary quality. We tend to think of the zombie apocalypse as a low-culture, pulp phenomenon. I suppose that a lot of the early zombie stories from the s and 30s were pulp fiction. Angela Kang, one of the writers and executive producers of The Walking Dead , told me that she is not interested in zombies per se, but in human beings and what they are willing to do to survive.

In The Road , the man and the boy stand in for every human in every zombie apocalypse story. What are they willing to do to survive? What do they do in terms of their resources? Do they share them or do they hoard them? In the contacts that they make with other human beings, do they react with fear or do they react with welcome?

That is an ethical choice that some people make. The son is a marvellous character because in his innocence he is constantly checking his father. He keeps asking his father whether they are good—whether they are the good guys. If you were in a George Miller Mad Max apocalypse story, and if you saw someone coming down the road towards you, you should probably turn and run in the other direction.

But the son keeps asking the question: are we the good guys? In encounter after encounter, they make choices that are very narrowly focussed on themselves. Do we react to them with fear because we have encountered some people who are frightening? Or do we react to them with compassion and generosity, because people may be more well-disposed towards us if we treat them with kindness? Another kind of ethical question explored in The Road has to do with why we are here. The father explicitly says that he has been appointed by God to take care of his son, and that if anyone tries to touch his son he will kill them.

The son, in his innocence, is basically pushing back and giving the answer that we get from many of the great wisdom traditions as well as from moral atheism, which is that if he is the most important thing on the planet, then the planet is probably worthless. This position is that there has got to be something more important than me and my desires and my life.

I want to live for something more than that and I want to believe that there is something bigger than me. Would you resist a straightforward Christian reading of The Road? Well, I am sure that there are some Catholic critics who do that because McCarthy was raised Catholic and you cannot shed it.

I think one of the things that makes the image of carrying the fire so wonderful is that it can be applied to a range of different traditions.


If we read it as straight Christian, we might want to think of it in terms of some of the New Testament ideas around community. At the end of the book, the question becomes: are we going to be like this isolated dyad going through whatever is left of our lives together, or are we going to open ourselves up to the possibility that we could be part of a larger community? What McCarthy does in a very faintly hopeful way is to come down on the side of larger community.

In his introduction to The Walking Dead , Robert Kirkman writes that he wants to explore how people deal with extreme situations and how these events change them. Is character development very important in this series? I think it is important.

From a narratological point of view, what Kirkman is pointing out here is that the zombie apocalypse becomes a genre in which we have a laboratory of human behaviour ramped up. We get a similar effect in war stories. What this scenario does is ratchet up our everyday normal human behaviour to force ten levels.

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It allows us to ask those really challenging questions about character in a much more rapid way. Character is important because both the comic and TV series are long-form narratives in which you have the chance to develop binding relationships with characters. That, actually, for me is the hardest thing about watching both The Walking Dead and Game of Thrones : you get attached to characters who then get killed off.

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I suppose one major character who does survive is Rick Grimes. Can you tell us about him? Over the course of the story, he develops in response to the world of threat but also in response to the new responsibilities that he takes on. Some of those changes are positive, others less so. He is basically the pragmatic leader of the group willing to do violence or whatever is necessary to protect the group and keep them together.

Rick takes her bike and rides back to his old home but before he leaves town, he comes back and kills her out of mercy.